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Continuing Education-infoManagement-looking beyond

9. Management

Key Concepts

project life cycle
in-house vs. outsource
in-house facility
project budgets
project monitoring
looking beyond

additional reading




Anne R. Kenney, "From Projects to Programs: Mainstreaming Digital Imaging Initiatives," in Moving Theory into Practice, Mountain View,
CA : Research Libraries Group, 2000; pp. 153-175.

Maria Bonn, "Benchmarking Conversion Costs: A Report from the Making of America IV Project," RLG DigiNews, Oct. 2001.

Steve Puglia, "The Costs of Digital Imaging Projects," RLG DigiNews, Oct. 1999.

Simon Tanner and Joanne Lomax Smith, "Digitisation: How Much Does It Really Cost?" (paper for the Digital Resources for the Humanities 1999 Conference, Sept. 12-15, 1999).

Library of Congress, National Digital Library Program and Conservation Division "Conservation Implications of Digitization Projects," (Section 2. Consultation of Space and Environment)

Lisa L. Macklin and Sarah L. Lockmiller, Digital Imaging of Photographs, A Practical Approach to Workflow Design and Project Management, LITA Guides #4 ALA, Chicago 1999. Ordering information at

Paul Conway, Conversion of Microfilm to Digital Imagery: A Demonstration Project, Yale University Library, 1996.

Project Monitoring
Paul Conway, "Production Tracking," Moving Theory into Practice: Digital Imaging for Libraries and Archives, Mountain View, CA : Research Libraries Group, 2000; pp. 160-161.

Workflow and Project Steps
Arts & Humanities Data Service, "Digitisation. A Project Planning Checklist,"

Howard Besser, "Procedures and Practices for Scanning," http://sunsite.Berkeley.EDU/Imaging/Databases/Scanning/

Linda Serenson Colet, Planning an Imaging Project, Guide 1 to Quality in Visual Resource Imaging,

Stuart Lee, "Scoping the Future of Oxford's Digital Collections, Appendix B,

Library of Congress, and

Peter Noerr, The Digital Library Tool Kit,

TASI, "An Introduction to Making Digital Image Archives,"

Visual Arts Data Service, "Creating Digital Resources for the Visual Arts," (Section 5: Project and Collections Management)

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